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Embassy of the Czech Republic in London, 25th October – 10th November 2024.


Karel Čapek’s *Letters from England*, published 100 years ago, has deeply influenced my creative approach, particularly in how I use observation to explore identity, culture, and personal history. Just as Čapek meticulously described British life through his writing, I apply the same observational lens in my photography, but through a more personal medium—fashion.


In my photographic essay, I style a British biracial artist in handmade garments created by my grandmother, blending my Czech heritage with my experiences in Britain. These garments, lovingly crafted, carry personal and cultural significance, much like the letters my grandmother and I exchanged during my time as an au-pair in England. Through these images, I tell my story of connection across generations and cultures, using the clothes as a visual metaphor for the blending of identities.

Lecture by diplomat MILAN JAKOBEC and a photographic essay "Letters from England and the Art of Observation" by multidisciplinary artist LUKAS KROULIK, Embassy of the Czech Republic in London, 2024.

"Observation is central to both Čapek’s writing and Kroulik’s visual storytelling. This exhibition juxtaposes those intimate exchanges with photographic memories, celebrating how personal observation—whether through letters or images—creates connections across time and space.


These five images, 30x40cm, by a multidisciplinary artist, Lukas Kroulik, emphasize the enduring power of observation in shaping how we document and understand our lives."


Two images by Lukas Kroulik, Embassy of the Czech Republic in London, 2024.
Jim Rokos, Diplomat Milan Jakobec, Lukas Kroulik and Michal Žižlavský Third Secretary - Political Section (L-R), Embassy of the Czech Republic in London, 2024.

Milan Jakobec’s book Bohemia a Albion: captures his experience as a Czech diplomat in London during the transformative 1990s. Through a lighthearted and insightful lens, Jakobec weaves anecdotes and reflections on Czech-British relations, recounting his diplomatic work in an era that saw unique historical moments, such as President Václav Havel’s significant rapprochement with the UK, the Czech national team’s journey to the UEFA final at Wembley, and Princess Diana’s tragic passing. His writing, both engaging and richly informative, offers readers a unique window into the complexities and cultural exchanges of the time.


During his recent appearance at the Czech Embassy in London, Jakobec spoke passionately about his work and also shared his appreciation for Lukas Kroulik’s photographic essay The Art of Observation. Inspired by the essay’s intimate portrayal of one day with Kroulik’s grandmother Hana, Jakobec remarked on how the project captures the essence of personal history reimagined, a sentiment that aligns beautifully with his own reflections on identity and cultural heritage.


Image by Lukas Kroulik, Bohemian Crystal Glass Vases by Jim Rokos, Embassy of the Czech Republic in London, 2024.
Bohemian Crystal Glass Vase by Jim Rokos, image by Lukas Kroulik, Embassy of the Czech Republic in London, 2024.
Industrial designer Jim Rokos and musician Naomi Tsai, Embassy of the Czech Republic in London, 2024.

Lukas Kroulik’s collaboration with industrial designer Jim Rokos highlights their shared Eastern Bohemia heritage and their University of the Arts London connection. When Jim Rokos sought a glassmaker for his Gauge vase, his choice of Harrachov glassworks—a historic factory in the Giant Mountains—reflects a deep connection to his Czechoslovakian roots. The glassworks produced the vase using traditional methods, which resonate with both Jim’s heritage and the shared cultural influences between him and Lukas. This collaboration merges their creative paths with personal histories, highlighting a shared appreciation for craft and culture.


Many thanks to my creative friends for their support, namely; Naomi, Anna-Marie and Zen (L-R).
The foreword by Sir Roger Scruton in Letters from England, highlights the deep humanism and keen observational style of Karel Čapek, Embassy of the Czech Republic in London, 2024.

Special Thanks to 

Her Excellency Marie Chatardová, The Ambassador of the Czech Republic

Michal Žižlavský, Third Secretary (Political Section-Press, Public Diplomacy and Culture)

Society of the Čapek Brothers Prague (Společnost bratří Čapků Praha)

Lady Sophie Scruton






 

Karel Čapek (1890-1938) was a Czech writer, playwright, critic and journalist. He has become best known for his science fiction, including his novel War with the Newts and play R.U.R., which introduced the word robot.




 
Lukas Kroulik Czech Interview.

How the handmade Czech dresses made an impact on the debutantes at the London Season’s Berkeley Dress Show curated by Lukas Kroulik.


Sustainability and Slow Fashion – from Bohemia to London, Curated by Lukas Kroulik.

Lukas Kroulik is an Anglo-Czech, London-based multidisciplinary artist whose creative journey resonates with all of us who cherish the power of nature, family, and values passed down through generations. Growing up in the Czech Republic, the love, care, and creativity he observed in his grandmother Hana’s everyday life, especially in their family garden, reflects the special places where we find connection to nature and a sense of belonging. These experiences shaped his personal style in fashion and photography and laid the foundation for his awareness art, which focuses on sustainability and climate action.


Lukas’ climate-themed image Left Behind was exhibited at the Royal Academy of Arts Summer Exhibition in 2022, continuing his exploration of these vital themes. His dedication to storytelling through visual art was also highlighted in his 2018 fashion photography exhibition Bohemian Style Live at the Keith Ewart Chelsea Studio. Through his work, Lukas invites all of us to reflect on how our everyday actions can contribute to a more sustainable and caring world, reminding us that nature and community are deeply intertwined.


Together, we can embrace this journey of reflection, connection, and meaningful action for the future.


Those who know me well know that I’ve always liked ducks. In fact, my first drawing as a child was a duck… or was it a chicken?


This early fascination with nature, particularly waterfowl, has found its way into my latest awareness art installation, which I’m excited to share with you. Staying true to my instincts and passion for environmental awareness, this installation builds on the themes I explored at the Royal Academy of Arts Summer Exhibition 2022 and this year at the RA Summer School. My signature colour palette once again takes center stage, reimagined and refined, in a piece that reflects both my photography and my growing concerns for our planet.


Art Installation by Lukas Kroulik.
Ducks, Ponds, and the Call for Change, Art Installation by Lukas Kroulik, 2024.

The installation, which I’ve now turned into a photo collage, plays on an idea I’ve had for years: how can I use art to make people think about their impact on nature? The Turner Prize 2024 just opened at the Tate, and its influence is undeniable in this work. But where Turner focuses on the breadth of contemporary art, I chose to zero in on something simple yet profound—ducks.




But these aren’t just any ducks. In this piece, I’ve reshaped empty plastic bottles to form duck-like figures, juxtaposed against images of real ducks gliding serenely across the water. The contrast is stark: while the real ducks symbolize purity and natural balance, the plastic ones are a sharp reminder of the growing threat of pollution. These empty bottles—familiar, yet now foreign in form—urge us to reconsider how much waste we are leaving behind, and the ways it affects our ecosystems.


Together, we can make ripples of change.
Ducks, Ponds, and the Call for Change, Art Installation by Lukas Kroulik, 2024.

It’s here that I bring in the critical importance of the Convention on Wetlands, an international organization based in Switzerland that works tirelessly to protect wetlands and the species that rely on them. According to their site, wetlands are vital ecosystems, supporting biodiversity, storing carbon, and providing water filtration. However, they are disappearing at an alarming rate due to human activity, especially pollution and climate change.



My installation supports their mission by turning the spotlight on the everyday harm we cause to these environments. With the image of “do not feed the ducks” and the message to “not pollute the ponds,” I want people to see that looking after our fresh waters isn’t just about not disturbing wildlife—it’s about preventing the poisoning of their habitats.


So let this be a reminder: protect what matters. Reflect on your daily actions and their far-reaching impacts. Take that extra moment to properly dispose of your waste. And next time you’re near a pond, think of the ducks.


 

Here are three organizations in the UK that are addressing freshwater pollution and its impact on bird species:



RSPB (Royal Society for the Protection of Birds)


RSPB works extensively to protect birds and wildlife, including addressing the effects of freshwater pollution on bird habitats. They run conservation projects and advocate for clean water initiatives to protect wetland and aquatic ecosystems vital for bird species.


Wildfowl & Wetlands Trust (WWT)


WWT is dedicated to conserving wetlands and the bird species that depend on them. They tackle pollution issues by promoting sustainable water management practices, working to restore wetlands, and advocating for reducing pollutants that threaten these environments.


The Rivers Trust


The Rivers Trust focuses on protecting and restoring the UK’s rivers and freshwater habitats. They work to reduce pollution in waterways, ensuring cleaner water for both wildlife, including birds, and human communities.


These organizations all contribute to safeguarding ecosystems impacted by water pollution.

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© 2023 by LUKAS KROULIK​

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